Mar 13, 2009

Not Watching the Watchmen

I apologize for not having posted so much lately. Things have been so hectic, and I think I use that line in every post. Seriously, though, we will be relocating soon. Heather got into FSU's Medical School. YAY HER! Which means we will be leaving our hometown of seven years and heading up to Tallahassee. This is going to be a big challenge to say the least. It is going to be exciting in many ways. It is very hard to leave Orlando - especially our friends and our school. But this is the right move for us. And when that phase is over, we'll probably bemoan having to leave Tally too.

This past week a big movie came out - The Watchmen. It was based on the ground and paradigm breaking graphic novel of the same name. I had never read the comic, despite my love for that genre. I was excited about the movie, just because I had heard so much about the title from so many people over the years. I didn't want my first impression of the story to come in the theatre - just in case they screwed up the whole shebang. So I bought the complete work at Target and started to read it.

What I found was indeed something amazing. I looked at it and could see how it had influenced everything from The Dark Knight to Lost. It's story telling and extras had basically laid the groundwork for how television shows, movies, and dvds are put together. Even though I had not seen its influence as it happened, I could definitely recognize it looking back. It was like when I read John Maxwell's first book (25 Irrefutable Laws of Leadership or whatever - you know, the first one before he started rewording himself twenty times). You read it and go, "Well duh, everyone knows that." And then you realize he wrote it decades ago and go, "OH, not everyone knew it THEN." Same thing with The Watchmen.

But that's where the praises ended. The book itself was - using one of my new favorite phrases - "relentlessly depressing." I have started labeling things that. The Book of Ecclesiastes, for example. They are so negative and dark, and they never let up. Now, you could see where I would be drawn to something like that. I mean, people call me Eeyore. I am a melancholy personality type. I have been called dark and negative and all that stuff. But I hated The Watchmen. It was just ... too dark. The world was full of degenerates, and the superheroes send to defend them were the worst sinners of all. The atrocities that these protectors generated were worse that the world itself could manufacture. And that was part of the story, I think. But the ending message was that things will never get better. The most black and white hero - the one who believed in absolutes - suffers from his own partners due to that. And the ending was just soul sucking.

Actually, it had no hope. That was where it lost me. You see, yes, I have a darker side that pulls at me. But I have hope - tons of it. That hope is not in people. I know that left to their own devices, people will do everything rotten possible. Just read the news. I have hope that one person can make a difference. It may not be a difference in the whole world, but it could be in THEIR whole world. There is hope - and there is a future. I guess this comes from my faith in God. I can't separate that faith from my life - even for a moment. It has been a part of me for so long that I can't even think about operating any other way. And the people around me know that. So I am not willing to give up hope and just resign myself to the ugly inevitable apocalypse. Sure, Revelation had its share of devastation promised. But my job is not to dwell on that - rather I should be trying to change my world as much as possible in the time I have.

I know that this faith is often misunderstood. And I know that some people just assume a lot of things about me - like that I will hate them for living a different lifestyle or having different beliefs. So they will pre-emptively hate me or whatever. But I do my best to show love and hope in my every day life. There are times that the day-to-day struggles will get to me and I will start to lose sight of that hope. But I can't let that last for long. I know the truth and it will restore my faith.

So that's why I didn't go to the movie. Well, that and the nudity, sex, violence, vulgarity. I just am not ready to put myself in front of a three hour movie that is going to preach that hope is dead. I see enough horror on cnn.com. I am well aware of the nasty elements that seem to be exploding in our society. And that is why it is even more important to keep on trying to change what I can in my little circle of the universe. I'll let others worry about the Watchmen's nihilistic view of life.

Now, Star Trek is a different story....

Feb 9, 2009

A Fraud

fraud  |frawd|
noun
  • wrongful or criminal deception intended to result in financial or personal gain
  • a person or thing intended to deceive others, typically by unjustifiably claiming or being credited with accomplishments or qualities.
We are in the middle of awards season, or as I like to call it - The Time of Year When Critics Show Just How Unconnected They Are to the Rest of the World.  At least one time during all of the award shows, one female celebrity will have the misfortune (or fortune, depending on your level of cynicism) of wearing a dress that appears to be perfectly normal until it gets hit by the bright lights of the red carpet or stage.  When those lights slam into that dress, it will become transparent - revealing everything underneath.  It happens every year.  

This is what just happened to Alex Rodriguez.  And Michael Phelps.  And Christian Bale.  When the bright lights hit them, they took away all the glamorous and attractive and heroic outer coating and showed us exactly what was underneath.  And in each case, we are left to look at those guys a little different.  

A-Rod
Rodriguez was the Chosen One.  He put up unbelievable numbers at a very young age.  He actually had a legitimate chance to break every offensive record in Major League Baseball.  There had rarely been such a combination of power, speed, defense, and marketability.  He was voted one of People's 50 Most Beautiful.  He signed the richest contract in baseball history.  10 Years, $252 Million.  And he labored in smaller markets and generated an enormous amount of goodwill.  He was seen as a good guy with so much potential.  

Then he went to New York.  And the bright lights shined harsh and fast.  We began to see the warts that were under the facade.  He was a lousy clutch performer.  He was a diva with thin skin - affected by criticism.  He was a poor teammate.  He was greedy.  He had a thing for 50 year old pop superstars.  He got ridiculed for everything, because every time you turned around he was doing something else stupid.  And then we found out that he cheated.  From 2001-2003 he was using steroids.  Ignore the fact that this information NEVER should have been made public and that it violated so many agreements.  The fact is that he is a cheater.  He had used drugs to prove he was worth those ridiculous contracts.  And now we are supposed to believe he's clean?!?  He has done nothing by lie and spin since he went to the Yankees.  Why believe him now?  He will always be a fraud.  

Michael Phelps
Phelps was the Chosen One.  He was going to restore hope in the Olympics.  His incredible performances in China riveted the world to the television.  Eight gold medals!  World records!  Photo finishes!  10,000 calories a day!  Son of a cop with an adorable mom who followed him everywhere - and that he respected and loved.  My kids know who he is and still talk about his races.  Sponsors swooped around him.  What a great kid, a real American hero.

Then he had nothing to aim for.  And the bright lights of being a celebrity shined harsh.  And they never shut off - even for an instant.  They watch every girl you date.  They see you everywhere you go.  Even when that means lighting up a bong at a college party.  Who knows why he did it.  Apparently he didn't learn from his DUI after Athens.  He likes to party, likes to have a good time during his non-practice time.  But everyone is watching now.  People wanted to defend him - saying so many people do it.  It is still illegal.  And it is still stupid.  And it is still reckless.  Who knows if it was intentional or not - Michael hoping to get some harsher edges.  Trying to buck the golden boy image.  If so, it worked.  He's not a golden boy any more.  He is a fraud.

Christian Bale
Bale was the Chosen One.  He was the finest actor of his era.  He brought a legitimacy and power to every role he filled.  Dragon hunter.  Magician.  Weird skinny guy.  Psychotic killer.  Superhero.  He was the perfect combination - women loved him, men loved him.  And he was filling out the suit on one of the biggest franchises in the world.  In addition, he was trying to relaunch the Terminator franchise.  And he was cast opposite of Johnny Depp in another sure summer hit.  He was Hollywood's superhero.

Then it all became too much.  And the lights shined bright and harsh.  And someone left a camera rolling too long.  And now, we all are able to see that Bale has a wee bit of an anger problem.  It started to surface last summer, when he was arrested for verbal assault of his mom and sister.  We wanted to write it off - who hasn't gotten in a fight with family?  But now, there he is ripping into a highly respected cinematographer.  Going off his rocker.  And he gets defended again - he's passionate, intense.  All good actors are like that.  Maybe it was even intentional - drumming up far more press for his movie than a 30 second Super Bowl ad.  But the fact is that now he's no longer seen as a superhero to Hollywood.  He's a risk, a loose cannon, a bad tempered malcontent.  He's a fraud.


My favorite part of all of this is when people can't accept that a fraud has been revealed.  They try to make excuses and cover for the person.  They say the laws should be changed.  They blame the cameraman for taking the pictures or the movie company for not destroying the tape.  They point their fingers at the others who are doing it wrong.  It is kind of pathetic.  Sure, it is hard to accept it when someone you admire lets you down.  I never liked A-Rod, but I liked Phelps and Bale.  But there are lots of people who associate those guys with their images.  A-Rod is a MVP.  Phelps is a Golden Boy Medalist.  Bale is Batman.  The fact is, those are all roles.  Those are things that they do.  But it isn't who they are.  They are normal people who make mistakes.  Their mistakes are just much, much more pronounced.  I think it is hard for average people to accept it when guys like this mess up.  "They have everything.  Why would they risk it?  Why would they do something to lose what they have going for them?  I would never do that."  But in reality, maybe we realize that we actually would.  Maybe we realize that in their shoes we would do the same thing.  We want to believe that someone else is above that - because we know we aren't.  Maybe we know that deep down inside, in our worlds and in our own ways, we are all frauds.  

Jan 25, 2009

Super Bowl Outlook

So here we are again in the bye week between the wildly exciting NFL playoffs and the sure-to-disappoint Super Bowl.  Why do I say that?  How many Super Bowls are exciting.  Even last year's Giants-Patriots matchup seemed a bit of let down.  No NFL needs a two week buildup.  And they can't live up to it.  The hype and bologna around the event dwarf the game itself.  Just wait until this week when every station sends someone to Tampa - every radio show, tv show, newspaper, magazine, pamphlet, town crier will have someone there.  And there will be 168 hours of coverage, culminated by the ten hour Super Bowl pregame show and the parade of commercials.  And then eventually the game itself (with Bruce Springsteen playing at halftime).  The game is almost an afterthought.  It takes something unbelievable to launch the game into legen-(wait for it)-dary status.

For the NFL, this is often based on the teams involved.  A truly great matchup with two truly great teams don't need hype.  That will organically happen.  But when you have games like Carolina vs. New England or Arizona vs. Pittsburgh, the hype machine starts running.  Why?  The NFL needs the ratings.  They need the whole country to be involved.  And in the NFL, the way to make sure that happens is to have the right teams in the game.  Basically you can break the NFL down into four categories as far as interest in the teams go: National, Regional, State, and City.  A National team has fans all across the country.  Regional teams have tons of fans in states all around its home base.  State teams are pretty much THE DEAL in their state, or have lots of fans in their state and right around it.  City teams, um, have fans in their city - and that's about it.  These are the teams that always are in danger of relocating.  They just don't have the support they need in the modern NFL market.  

National teams usually are teams that have been successful for a long time - and have had success in several decades.  They have fans of all ages.  They are always relevant - even surviving bad stretches.  Each of the National teams had bad streaks, but they became players again.  (You can actually do this with every sport.)  Regional teams are wildly popular in their area - and may be on the verge of becoming National teams.  Some of those teams have been good for a while, but they don't have the older fans (Indy, N.E.).  Some were good, but have been out of it for a while (San Fran, K.C).  Here is how I break down the NFL in those categories.

NATIONAL TEAMS (6)
Dallas
Pittsburgh
New York Giants
Oakland
New York Jets
Green Bay

REGIONAL TEAMS (10)
New England
Chicago
Washington
Miami
San Francisco
Indianapolis
Philadelphia
Kansas City
Denver
Tennessee

STATE TEAMS (10)
Minnesota
Tampa
San Diego
Baltimore
St. Louis
Arizona
Carolina
Cleveland
Atlanta
New Orleans

CITY TEAMS (6)
Detroit
Buffalo
Cincinnati
Jacksonville
Seattle
Houston

I'm sure I would catch some flack for some of these categorizations.  But I tried to evaluate based on several things.  First, as I travel around, I notice which teams are popular in which areas.  How far is their reach?  How many miles away can you get their merchandise in gas stations?  Second, based on going to games in Jacksonville and Tampa, I look to see which visiting teams sell out the stadium.  I've been to Pittsburgh vs. the Jaguars.  More Steeler fans than home town players.  The same deal with the Packers.  When it comes to Houston, Buffalo, Detroit - lots of very empty seats.  Third, which teams are considered "marquee" teams by the League?

Sure, things can change with the teams.  A really good player can escalate a team (Manning with the Colts).  A really stupid coach can submarine a team (Marvin Lewis with the Bungles).  The challenge is whether those teams will be viable or rebound after the current lineup leaves town.  Remember, the Cowboys went 1-15 once.  Their head coach was once a guy named Dave Campo.  But they still are the highest selling team in the NFL - even if their current roster plan is trying to compile a real life The Longest Yard.  

Now, the NFL would ideally be able to put on Super Bowls with some combination of the National teams - with appearances by up and coming Regional teams, with hopes of them becoming National teams.  So the NFL is thrilled when a matchup like last year comes along - a National vs. a big time Regional (Giants vs. Patriots).  Throw in the back story of the quest for 19-0, the underdog Giants, a Manning brother at play.  Let's just say it is hard to top that.  Cowboys/Steelers has happened three times to huge ratings.  So that's ideal.  When a team like Atlanta, San Diego, Tampa, Cincinnati gets involved - it may make for good stories.  But it just doesn't make for good ratings.  There just isn't a big following for those teams.  [The exception would be the Buffalo Bills during their heyday.  They are a total City team, but their players and story were quite engaging.  Watching the same team choke away four straight Super Bowls?  Man, that is just amazing television.]

However, the addendum to this is that the NFL wants to engage as many areas of the country as possible.  You want an Eastern team to play a Western, or a Northern to play a Southern.  Ideally, if the teams were in two major markets, even better.  The Colts/Bears game was two big Regionals with Peyton Manning, the minority coach story line.  It should have been huge.  But since both teams were within the upper Midwest, it seemed small.  I remember some of the biggest games from ones I watched were Oakland/Washington, Giants/Broncos, Cowboys/Bills.  There was a big distance involved, which seemed to ramp up the interest.  When you get games like Chargers/49ers, Eagles/Patriots, Tennessee/St. Louis - they just seem smaller.  

So we get to this year's matchup.  You have a National team (Pittsburgh) against a State team (Arizona).  There is a good distance going on.  Phoenix is a big market, even though Pittsburgh is not - its huge fan base will make up for that.  You have some big stars and some good stories going on.  The problem is that the Cardinals have virtually no fan base.  Most of Arizona are still Cowboy fans.  And the St. Louis fans have either abandoned them or jumped on the Rams or Chiefs wagons.  Honestly, they get so little airplay that most people couldn't name ten of their players.  That is going to hurt viewership.  A lot of people think the matchup is not even close, assuming the Steelers are going to destroy the inexperienced Cardinals.  That will hurt.  And the commercials have been so disappointing lately, combined with the fact that advertisers are spending less.  So I doubt that there are going to be any hall of fame ads going on.

So here is my prediction.  I think the game will seem dwarfed by the surrounding goofiness.  It will be exciting, but ultimately disappoint.  I doubt it will be a blowout - Warner, Fitzgerald, Boldin won't allow that.  There will be some cool movie previews to watch.  And it will be mostly forgettable.  But The Boss will probably put on one heck of a show.  

Oh, you wanted a sports breakdown?  Go read ESPN.  I don't know that stuff.

Jan 24, 2009

Oscar 2009: The Nominations

Every year in each major sport, there are end of year awards. The most prestigious award for the players is the Most Valuable Player. This is supposed to be the biggest individual award for any player to receive. Each year the debate rages over whether the award should reflect the "Best Player" or the "Valuable Player." Should it be the player whose team needed him the most or the player who just had the best year? This is what passes for a debate in the sports world. Why? Because the sports industry gets it. Reward the most deserving. Even in years when the best player gets passed over (every year Michael Jordan didn't win, every year Steve Nash or Karl Malone did win), at least the winner had a big year.

Now, if the sports world were the Oscars, then the MVP would not go to someone like Peyton Manning or Michael Turner or Tom Brady. It would be fought over between two punters, a long snapper, a middle linebacker, a punt returner, and a tight end. Are those important positions? Yes. Might those people have had a good year? Sure. Should those positions ever in a million years be named MVP? No freaking way.

Yet, every year the Oscars comes down to a battle between movies no one has seen. As I mentioned last year in my nominations review, I keep track of the Oscar nominations. I look to see how much money the Oscar nominated movies make. Allow me to share with you this year's crop of films vying for the naked golden man.
  • Best Picture - $37.36 million (avg)
  • Director - $37.36 million (avg)
  • Best Actor - $30.04 million (avg)
  • Best Actress - $16.66 million (avg)
  • Supporting Actor - $139.24 million (avg)
  • Supporting Actress - $37.2 million (avg)
  • Overall - $79.4 million for the 13 nominated films
So, how does that rank with last year, which was one of the worst years in movie history as far as money making goes? Glad I asked.
  • Best Picture - $43.32 million (avg)
  • Director - $37.28 million (avg)
  • Best Actor - $24.12 million (avg)
  • Best Actress - $24.38 million (avg)
  • Supporting Actor - $34.5 million (avg)
  • Supporting Actress - $45.20 million (avg)
So, for Best Picture, this year is the worst year since I've been keeping records - that was 1998 by the way. $37 million average? Are you kidding me? That means only about 4 million people saw those films. How good can these movies be? I can honestly say I not only have not seen any of the films, but I have absolutely no desire to see any of those films. Now, some may say that the Supporting Actor and Overall numbers don't look too bad. Allow me to rain on that parade.

The late Heath Ledger was nominated for his insane portrayal of Joker in The Dark Knight. This movie took in $531 million by itself, which obviously threw off the numbers. After all, The Dark Knight took in more than THE OTHER 12 MOVIES combined. Yes, its $531 million take was higher than the $504 million that the other movies took in. Now, it is my opinion that if Ledger has not died, he would not have been nominated. That may seem cold to say, but it is true. That is a role that has been passed over so many times in the past (Jack Nicholson in Batman 1989, Robin Williams in Aladdin, Val Kilmer in Tombstone). Those were Supporting parts that so dominated the movie they made the main characters look silly. But they all missed out. And if Ledger had not died, he would have been passed over also. So if his spot was replaced with, say Michael Sheen from Frost/Nixon, the Supporting Actor number drops to $34.8 million and the Overall number plummets to $42 million - which would have been right down at the bottom of the last decade.

It is pointless to even get worked up about this any more. As I said last week, this was Hollywood's chance to get back in touch with the movie-going public. Sure, Benjamin Button made over $100 million, but do you know anyone who loved this movie? I knew people who said it LOOKED amazing, but no one who loved the movie itself. And the Academy tossed its quirky Supporting pick at Robert Downey Jr. for Tropic Thunder - mainly to acknowledge his amazing year. If they were truly gutsy, they should have given him Best Actor props for Iron Man. When 2008 is thought of in the future, the movies that will come to mind will be Iron Man, Dark Knight, WALL-E, maybe Mamma Mia if you live in England. And, just like other movies from years past that had a huge impact on film (Bourne Identity, Ratatouille), those movies that actually will stand the test of time will be tossed to the side by the Oscars in favor of ones that no one will even remember. I really think this will be the year that ratings just hit rock bottom. How can the average American even care any more?

Jan 8, 2009

Nominations are Coming

First of all, yes I have been away for a while.  It is hard to sit down at the computer and write when you keep falling asleep.  It is also hard to drive when you keep falling asleep.  But that is a different and far more disturbing point.

The topic that has awoke me from my blogging slumber is the movie award season.  As I have stated numerous times over the years, I love movies.  This year, I was able to watch quite a few films.  And I actually enjoyed most of them.  I have watched the awards thus far with a jaded eye.  I want to care, but I know what is going to happen.  And, as the Oscars are about to announce their nominees, I am torn between what I expect and what I wish for. 

If you go through the archives of this blogs, you will see that I have researched the Oscar race for a number of years.  I looked at how much money each film made, the box office vs. awards, and popularity of films.  In recent years, the Academy has been following a disturbing trend of rewarding films no one watched and ignoring ones that people saw.  The argument has always been that the popular films are not worth awards.  In return, people are abandoning the Oscars by the million - since it only deals with movies they couldn't care less about.  

HOWEVER, this year it is completely different.  This is the year for the Academy to decide its future.  There are actually several wildly popular movies that deserve awards.  WALL-E is one of the best movies I have ever watched.  The performance by Robert Downey Jr. in Iron Man (and many say in Tropic Thunder) was amazing.  And, even though I STILL haven't seen it, $500 million worth of people think a little movie called The Dark Knight may have been worth a thought or two.  Legitimate award contenders AND box office monsters.  We haven't seen that since Lord of the Rings.  

So the Academy is at a crossroads.  It could do the right thing, which would be reward mainstream films for also being amazing.  WALL-E and The Dark Knight for Best Picture.  Christopher Nolan (maybe even Ben Stiller) for Best Director.  Downey for Best Actor and/or Best Supporting Actor.  Obviously, Heath Ledger for Best Supporting Actor.  I'd even go for Meryl Streep for Mamma Mia.

OR....

It could do what it usually does (and probably will do).  It could nominate Frost/Nixon, Revolutionary Road, Milk, Slumdog Millionaire, and Doubt for Best Picture.  (You are so going to be impressed if that is right.  Are they good films?  I'm sure.  But NO ONE FREAKING WATCHED THEM.  We'll see acting nominees from Rachel Getting Married and The Wrestler and Gran Torino and Benjamin Button .  And the big films, IF they get squat, will get a screenplay nomination or the technical awards.  

It is pathetic.  1994, to me, was one of the best years ever for movies.  The Best Picture nominees would have all won in any other year (Forrest Gump, Pulp Fiction, Shawshank Redemption, Quiz Show).  Critical AND financial success was evident everywhere.  But now, I wonder if that could ever happen.  Would an Academy voter be able to see past Gump's $300 million take and cultural impact to nominate it?  Or would it be TOO popular?  I know that if the big films get jilted this year, expect the ratings to nosedive.  The average moviegoer will once and for all consider the Oscar as highbrow, narcissistic back patting.  And they would be right - although, typically, the Oscar wouldn't pay any attention to that popular opinion either.